So I'm back from Westport and tackling a new subject. I'm working on breaking the -Don't put masses too close to the edge of the canvas- theory. Also, I'm going to attempt a seriously high light key. This is the initial breakdown. The landscape is California again. By the time I'm done with the subject the viewer should smell the eucalyptis and feel like they're being dressed in sunlight. A tall challenge but that's what I'm chasing.
ps. I realize that the composition law could be unbreakable. I'm still consiberably tired. Will try anyway.