16"x20" oil/canvasplein air I'm back from the exciting Paint Annapolis 2009 compettition. No awards for me but thats alright.
I did this one during the Saturday morning quick draw competition. We had bright sun and I picked a less than usual subject for me.
Saturday night was the artists party and it was great to meet up with friends made last year and new ones made this year. Thanks Jane, you know how to entertain!
At 5:00pm I was honored to be one of 6 artists selected by Kenn Backhaus to do a round table type discussion aimed at educating collectors and the general public as to what plein air painting is all about....how our differing styles developed....the importance of the plein air movement to each of us.....etcc... I really enjoyed the evening and hearing the other 5 artists comments. They were... Lee Boynton, Abigail Mcbride, Stewart White, Lisa Egeli, and Mary Pritchard. Due to the timing of this event I didn't get an afternoon painting in, however, I'm very honored to have particpated in the group discussion and would do it again in a heartbeat!
20"x16" oil/canvasplein airI did this one Friday afternoon when the sun finally made an appearance. After I finished painting, a local fellow docked his sailboat . We talked a bit and he took me to a local Eastport pub for a beer. A nice way to cap off the evening and yet again meet interesting folks in an unfamiliar town.
20"x16" oil/canvasplein airThis is from Friday morning. Still low cloud deck and gray day conditions. I felt good about the location and liked how the boats lead the eye to the Annapolis side of Spa creek.
16"x20" oil/canvasplein air
I did this nocturne Thursday evening. I scraped down 2 paintings during the day. I was struggling with staying loose and just about everything else. So as night fell I headed back to Eastport. I completely let loose, mixing and applying paint like a madman. I use a little battery powered light that actually illuminates my palette more than my canvas. Basically you don't know what you have while you're painting. I just trusted my eye and mixing skills. I use cool colors for nightlight and warm colors for the darker areas. I realised the next day that parts of this are quite difficult to read, however I have not touched it since the session. I didn't want to kill the blurred, energetic night scene that I had witnessed.