Did this one after the next one. Got caught up in the geometry of the next piece. So I decided on this one to tear down until I thought I had something. Still exploring the idea of trees and structures.
Driving to and from Chicago recently, I was unusually struck by the design feature of using shade trees to cool houses. Nothing new, but it resonated with me for some reason. The houses are all on the east side of the trees. Afternoon sun is much hotter than morning sun. I just remember all the bunches of trees and open spaces.
Just a first attempt here, but will continue to do work with this premise in mind.
Finally picked up brush. Knocked this guy out and it felt good to move paint. Won't be too long before I get rollin' again. Love these these new linen birch panels. Man, they can take paint!
The scene is where a recent tornado rolled through. Knocked the one sycamore down.
Off to a show in Oxford ,MD. this weekend. check it out if possible. Link
On the road and in the woods the last 3 weeks. Towed a few times and got drenched a few times. Off to the Chester County Studio Tour this weekend. With any luck I'll pick up a brush soon. Maybe even some plein air work at the show. If you're in the area check it out. It's even supposed to be sunny for a change.
This was my booth at Scarsdale last week. I had to post something. Some folks thought I kicked the bucket. The bucket is full of rainwater. I dare not kick it!
Just enough time for some sketching. Basement flooded and I have a lot to clean up before the show season starts next week in Richmond. Mold galore. Yippeee...
I continue with the 28 brushstroke exercise. This time done over a painting. I seem to be completely engrossed in the horizontal line compositions. This will change no doubt, but for now I must follow my intuition. Note: when painting over old work, strokes could be many fewer to create a believable work. This exercise is enlightening and brings awareness to the temptation of predertermining strokes and loading the brush with color. Too close to craft work ie..painting flower petals with one stroke. I am abandoning this exercise. I learned a lesson.........Paintings develope through continual interaction and reaction...........
If you remember my ode to a Christmas tree last December(?) there were what appeared to be trees about to be burned in a fire disaster.Note the 2010 signature. Well I've drenched it with paint. To combine the imagination with observation would be ideal. Leaving things in that couldn't possibly occur in nature is quite tempting. I'm guessing I won't have much luck at the next OPA competition!
Another painting over a painting. I'm pushing the idea of spring through abstraction again. I might tweak this one. A counter angle in the sky might do wonders. Need to contemplate this one. I'll ponder it while we are under a tornado watch.........
Hopefully, you see the hand of the artist in this series. 28 strokes. Yes, it is hard to understand, Yes, I am hard to understand. Feel free to standover, but please keep a distance.
What started as an idea has become a full blown direction. This is a self portrait done with glasses off and 28 strokes. I'm all but blind without my corrective lenses. I couldn't even see my palette properly. I mixed warms where cools should have been and vice versa. The energy that is being created is overwhelming. These things are tough to do! But I'm only 2 in and getting ideas!
Since I have a boat load of small panels I decided to challenge myself. The challenge is create a piece with 28 brushstrokes. I'll vary brushsize however will not stray from 28 strokes. This creates an interesting dilema to say the least. The darks must go down first then carved into. A stroke consists of the brush never leaving the panel. Crazy is as crazy does..... These will appear at random
This is a view towards the capitol dome from a less than desirable section of the city. I find boarded up buildings and junk cars incredibly interesting all the while recognizing the depressing state of things that create this situation. Finding beauty in the ugly. An artists job indeed!
I'm getting grounded again and can see things I need to do.
A quick sketch based on an image burned in my brain predawn today. It's ok to play I say. Formula may please the mind, and representation might pay the rent, appreciating paint for what it is is what soothes my soul when all is said. Done.
Yet another attempt at the local dome I see from my house. It is a truly impressive church to see in person. I still try to capture it. I suppose most cities have similar structures. I'm sure others are as fascinated with their own as I am with this one.........
I am an oil painter. I paint mostly from direct observation both indoors and out. I studied at the Art Students League Manhattan under Daniel Dickerson. In my work I strive to maintain a balance between abstraction and representation all the while keeping atmosphere most important. View my show schedule to see where I'll be exhibiting.